<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-20349865</id><updated>2011-08-27T00:32:11.847-07:00</updated><title type='text'>Pilgrimsplaza /  King - index</title><subtitle type='html'>Het mooiste en diepstgaande boek over The Way of Saint James van Georgiana Goddard King omvat 1740 pagina's in 31 hoofdstukken in 4 boeken in 3 banden. De index toont de opbouw van dit standaardwerk uit 1920. Die eerste druk is op internet nog verkrijgbaar, nu integraal te lezen en te kopiëren en er zijn diverse herdrukken als pocketbook. Wij wensen u veel voorpret op deze fantastische ontdekkingsreis!</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://pilgrimsplaza-king-index.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20349865/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://pilgrimsplaza-king-index.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>pelgrim Geert</name><uri>http://www.blogger.com/profile/11858320793403286238</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://photos1.blogger.com/blogger/6260/1568/1600/GB%20receptie3.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-20349865.post-2682911897402019655</id><published>2011-08-26T14:29:00.000-07:00</published><updated>2011-08-27T00:32:11.885-07:00</updated><title type='text'>Literatuurstudie Priscillianus &amp; Mondoñedo</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="MsoNormal"&gt;Ergens meen ik gelezen te hebben dat Priscillianus van Trier naar Mondoñedo is gebracht. &lt;span lang="EN-GB"&gt;Naar aanleiding van “ &lt;/span&gt;&lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic11158-100.html#p75038"&gt;&lt;span lang="EN-GB"&gt;Re: are St. James' relics really held in Santiago's cathedral&lt;/span&gt;&lt;/a&gt; &lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic11158-100.html#p75038"&gt;&lt;img alt="Post" border="0" height="9" src="file:///E:/Temp/msohtml1/01/clip_image001.gif" width="11" /&gt;&lt;/a&gt;&amp;nbsp;&lt;span lang="EN-GB"&gt;by &lt;/span&gt;&lt;a href="http://www.caminodesantiago.me/board/member2645.html"&gt;&lt;span lang="EN-GB"&gt;TerryB&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; on August 26th, 2011, 3:16 pm: ‘As a blunt, down to earth Yorkshireman, I do like to know what is what! &lt;/span&gt;So, I have done some digging around as well as reading through the book by Henry Chadwick, recognised as an authority on early church history. As far as possible I have verified these 'facts' from his primary sources available on the web (I do not have a Reader's Card for the Bodliean Library!) and I believe they are a reasonable statement of what we know about the historical Priscillian. I have put fuller details, quotes from primary sources and futher reading on the web at:-‘ &amp;nbsp;&lt;a href="http://www.ruralmatters.org.uk/camino_de_santiago/priscillian.html"&gt;http://www.ruralmatters.org.uk/camino_de_santiago/priscillian.html&lt;/a&gt;&amp;nbsp;“ heb ik er weer naar gezocht maar het nog niet teruggevonden. Wordt dus hopelijk vervolgd. Hierbij de vorderingen in Mondoñedo and Priscillian.doc&amp;nbsp;&amp;nbsp;van 26-8-2011: &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic11158-100.html?sid=70f56c037be6785a2bc41f9aa32b640b#p75038"&gt;http://www.caminodesantiago.me/board/miscellaneous-topics/topic11158-100.html?sid=70f56c037be6785a2bc41f9aa32b640b#p75038&lt;/a&gt; -&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic3554.html?sid=af9d5209d3753538c2922a8e4d370b2a#p20236"&gt;&lt;span lang="EN-GB"&gt;http://www.caminodesantiago.me/board/miscellaneous-topics/topic3554.html?sid=af9d5209d3753538c2922a8e4d370b2a#p20236&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; - &lt;/span&gt;&lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic3554.html#p20236"&gt;&lt;span lang="EN-GB"&gt;Re: Pilgrimage to Heresy: Don't Believe Everything They Tell You&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; - &lt;/span&gt;&lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic3554.html#p20236"&gt;&lt;img alt="Post" border="0" height="9" src="file:///E:/Temp/msohtml1/01/clip_image001.gif" width="11" /&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt;by &lt;/span&gt;&lt;a href="http://www.caminodesantiago.me/board/member2623.html"&gt;&lt;span lang="EN-GB"&gt;PILGRIMSPLAZA&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; on March 8th, 2008, 2:50 am : “Mondoñedo”: See King I-84, 88-122, II-278, 299, 421, III-91, 93, 141, 295, 406-7; diocese of , II-472; bishop of, II-16; synodals of, III-233, 235.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Read full-text-on-line &lt;i&gt;The Way of Saint James&lt;/i&gt;, by Georgiana Goddard King: &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.archive.org/stream/wayofsaintjames01kinguoft#page/n11/mode/2up"&gt;http://www.archive.org/stream/wayofsaintjames01kinguoft#page/n11/mode/2up&lt;/a&gt; - Volume I&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.archive.org/stream/wayofsaintjames02kinguoft#page/n11/mode/2up"&gt;http://www.archive.org/stream/wayofsaintjames02kinguoft#page/n11/mode/2up&lt;/a&gt; - Volume II&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.archive.org/stream/wayofsaintjames03kinguoft#page/n11/mode/2up"&gt;http://www.archive.org/stream/wayofsaintjames03kinguoft#page/n11/mode/2up&lt;/a&gt; - Volume III&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic3554.html?sid=af9d5209d3753538c2922a8e4d370b2a#p21583"&gt;&lt;span lang="EN-GB"&gt;http://www.caminodesantiago.me/board/miscellaneous-topics/topic3554.html?sid=af9d5209d3753538c2922a8e4d370b2a#p21583&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; - &lt;/span&gt;&lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic3554.html#p21583"&gt;&lt;span lang="EN-GB"&gt;ad Sedem Britonorum&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; - &lt;/span&gt;&lt;a href="http://www.caminodesantiago.me/board/miscellaneous-topics/topic3554.html#p21583"&gt;&lt;img alt="Post" border="0" height="9" src="file:///E:/Temp/msohtml1/01/clip_image001.gif" width="11" /&gt;&lt;/a&gt;&amp;nbsp;&lt;span lang="EN-GB"&gt;by &lt;/span&gt;&lt;a href="http://www.caminodesantiago.me/board/member2623.html"&gt;&lt;span lang="EN-GB"&gt;PILGRIMSPLAZA&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; on April 19th, 2008, 5:04 pm - Was there not a link from Mondoñedo &amp;gt; Bretoña &amp;gt; Britain &amp;gt; William the Conquerer &amp;gt; Normandy? &lt;/span&gt;‘Bretoña, localidad situada a apenas treinta kilómetros de la actual iglesia de Mondoñedo.’ I Googled a while on "ad Sedem Britonorum":&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://es.wikipedia.org/wiki/Bretones_en_Galicia_y_Asturias"&gt;http://es.wikipedia.org/wiki/Bretones_en_Galicia_y_Asturias&lt;/a&gt; - Ad sedem Britonorum ecclesias que sut intro Britones una cum monasterio Maximi et que in Asturiis sunt. La sede de Britonia siguió estando representada en los múltiples concilios que se celebraron entre los siglos VI y VIII en &lt;a href="http://es.wikipedia.org/wiki/Toledo" title="Toledo"&gt;Toledo&lt;/a&gt;. Durante el siglo IX, San Martiño de Mondoñedo, presumiblemente el monasterio Máximo sufre el abandono debido a las incursiones normandas lo que propicia que el obispado de Dumio se traslade allÍ, con el abad Sabarico a la cabeza y el beneplácito del rey &lt;a href="http://es.wikipedia.org/wiki/Alfonso_III_de_Asturias" title="Alfonso III de Asturias"&gt;Alfonso III&lt;/a&gt;. En el año &lt;a href="http://es.wikipedia.org/wiki/1112" title="1112"&gt;1112&lt;/a&gt;, finalmente, la sede diocesana se lleva a &lt;a href="http://es.wikipedia.org/wiki/Mondo%C3%B1edo" title="Mondoñedo"&gt;Mondoñedo&lt;/a&gt;.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://pilgrim.peterrobins.co.uk/santiago/British_Galicia.html"&gt;&lt;span lang="EN-GB"&gt;http://pilgrim.peterrobins.co.uk/santiago/British_Galicia.html&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; - met dank aan Peter Robins: “The best-documented link between the British and a 'Brit' placename is however Bretoña, described in a series of ecclesiastical documents from the C6 onwards. &lt;/span&gt;Put briefly, these document a British see, churches and a monastery (ad sedem Britonorum ecclesias que sunt intro Britones una cum monasterio Maximi) and one Mailoc, bishop of this see (Mahiloc Britonensis ecclesiae episcopus). This documentation is well summarised in a booklet Historia de Bretoña by Antonio García y García, Emeritus Professor at the Pontificia University in Salamanca, and published by the &lt;a href="http://www.diputacionlugo.org/html/publicaciones.php"&gt;Diputación in Lugo&lt;/a&gt;, though unfortunately now out of print. There's a review in English on the &lt;a href="http://www.mun.ca/mst/heroicage/issues/4/reviews.html#anchor982812"&gt;Heroic Age&lt;/a&gt; website by &lt;a href="http://www.andrewlownie.co.uk/books/young.simon/index.shtml"&gt;Simon Young&lt;/a&gt;, a British researcher who has taken an interest in the subject. The latter has set up a &lt;a href="http://www.britonia.org/"&gt;website&lt;/a&gt; (also available &lt;a href="http://www.britonia.fsnet.co.uk/"&gt;here&lt;/a&gt;; this includes an extensive bibliography) and written a book &lt;a href="http://www.toxosoutos.com/DETcolKELTIA1024.asp?ISBN=84-95622-58-0"&gt;Britonia: Camiños novos&lt;/a&gt; (in Galician; see review on &lt;a href="http://bretagne-galice.chez.tiscali.fr/page14.html"&gt;website&lt;/a&gt; of the Breton-Galician twinning organisation, though 'Comme chacun sait' is stretching it a bit; 'Comme presque personne sait' would be more like it!); an item of his summarising the position appeared in &lt;a href="http://www.historytoday.com/dm_getArticle.asp?gid=11015"&gt;History Today&lt;/a&gt;.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- Besides these specialist works, more general works on Galicia and the British also mention Bretoña: R.A.Fletcher's study of Diego Gelmírez St James' Catapult does so and is now available online at the American &lt;a href="http://libro.uca.edu/sjc/sjc.htm"&gt;LIBRO site&lt;/a&gt; (see Chapter 1 and search for 'brit'); a good recent summary of our knowledge of the British in general, which includes the Galician settlements, is Christopher A. Snyder's &lt;a href="http://www.amazon.co.uk/exec/obidos/ASIN/063122260X/peterrobinsho-21"&gt;The Britons&lt;/a&gt; (Blackwell, 2003 - interview with author at &lt;a href="http://www.oxbowbooks.com/feature.cfm/FeatureID/83/CFID/1941258/CFTOKEN/52213926"&gt;Oxbow Books&lt;/a&gt;). There are quite a few Bretoña-related websites around: the Diputacion have some info in their &lt;a href="http://www.diputacionlugo.org/html/municipios/pastoriza.htm"&gt;list of municipalities&lt;/a&gt;; see also &lt;a href="http://www.pangalaica.com/britonia/pueblos/bretona.htm"&gt;Pangalaica&lt;/a&gt; and &lt;a href="http://www.galespa.com.ar/historia_bretons.htm"&gt;Galicia Espallada&lt;/a&gt;; there is a yearly Lugnasad festival in Bretoña parish: see &lt;a href="http://www.auruxeira.cjb.net/"&gt;here&lt;/a&gt; and &lt;a href="http://www.galiciaenfiestas.com/lugnasad.htm"&gt;here&lt;/a&gt;; and there's a tradition that Maeloc's treasure is buried on the nearby mountain of Cornería (see &lt;a href="http://www.barreiros.org/corneria.htm"&gt;Barreiros site&lt;/a&gt;) - a story that bears more than a passing resemblance to British legends.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- The presence of a British settlement in Galicia, based in Bretoña where it reoccupied an existing castro, is thus well documented. We do not know when the Britons arrived, though the presence of a see in 569 and its participation in the Council at Braga implies that the community was already well established by that time. García y García states that S Martin's monastery at Dumio was organised on Celtic lines; it's tempting to speculate that this was due to the influence of the British colony - where else would a Celtic church influence have come from? Or was this founded by another British colony? Was this why the Citania was named 'Briteiros'? Though we do not know how widespread the British community at Bretoña was, the diocese appears to have been quite large and extended into what is now Asturias. Although the see was destroyed by the Moors in 716, and later moved to S Martin de Mondoñedo and in the C12 to Mondoñedo itself, references to Britons continue for several hundred years. Simon Young raises the interesting possibility of a Brythonic-speaking people in Galicia as late as the C13 - after the Liber Sancti Jacobi.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- Nor is that quite the end of the British-Galician ecclesiastical links: substantial trade links between Britain and Galicia continued throughout the Middle Ages, supplemented by the transport of pilgrims to Santiago, and in 1555 a London merchant named John Dutton brought an image of the Virgin from St Paul's Cathedral (where it was in danger of being destroyed by Protestant iconoclasts) to . . . yes, Mondoñedo, where it continues to be venerated to this day, though as La Inglesa not La Britoña!&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- Although you would think that Galicia and Britain were too distant to matter very much to the early Church in Rome, this is far from the case. In a curious parallel between these outposts of the Roman Empire, both had charismatic church leaders whom Rome felt threatened by and declared heretical: Priscillian in Galicia and Pelagius in Britain. And when Rome decided that the Anglo-Saxons should be converted, it sent a special envoy, Augustine: Britain was obviously too important to leave to the British church. Galicia of course became one of the leading pilgrimage centres in Christendom. &lt;span lang="EN-GB"&gt;How deliciously ironic if, as some maintain, the shrine in fact houses the remains of the heretic Priscillian!”&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://libro.uca.edu/sjc/sjc.htm" target="_blank"&gt;http://libro.uca.edu/sjc/sjc.htm&lt;/a&gt; full-text-on-line: R. A. Fletcher, Saint James's Catapult: The Life and Times of Diego Gelmírez of Santiago de Compostela; [224] Diego was at once both the crozier and the catapult of St. James. &lt;a href="http://libro.uca.edu/sjc/sjc3.htm%20note%2014"&gt;http://libro.uca.edu/sjc/sjc3.htm note 14&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;King on Mondonedo: I-84, 88, 122, II-278, 299, 421, III-9I, 93, 141, 295, 406-7; diocese of, 11-472; bishop of, II-i6; synodals of, III-233, 235 &lt;/div&gt;&lt;div style="border-bottom: solid windowtext 1.0pt; border: none; mso-border-bottom-alt: solid windowtext .75pt; mso-element: para-border-div; padding: 0cm 0cm 1.0pt 0cm;"&gt;&lt;div class="MsoNormal" style="border: none; mso-border-bottom-alt: solid windowtext .75pt; mso-padding-alt: 0cm 0cm 1.0pt 0cm; padding: 0cm;"&gt;&lt;br /&gt;-----------------------&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-GB"&gt;King on Priscillian&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;Volume I&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;- Galicia was the stronghold of Priscillians; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- Priscillians, Friends of God &lt;/div&gt;&lt;div class="MsoNormal"&gt;- the great grammar of Priscian,&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Volume II&lt;/div&gt;&lt;div class="MsoNormal"&gt;- Isidore had good reason for his warning about perfect virginity of body and soul, though the address is entirely in the manner of the early church, and the Priscillian practice.&lt;/div&gt;&lt;div class="MsoNormal"&gt;- Very [I HISPANIC NOTES THE WAY 237] early we find traces of alliances, first between Galicia and Astorga, in the Priscillian persecutions, then between Compostella and Oviedo, between Leon and Toledo. &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Volume III&lt;/div&gt;&lt;div class="MsoNormal"&gt;- The reader recalls here, realizing how all the land must be full of wandering ghosts, that Priscillianism, of which Galicia was [AND MONOGRAPHS I 238 WAY OF S.JAMES] the very source and stronghold, is thought to have been much concerned with the transmigration of souls; no wonder, since the adepts must have been cognizant of them on every side, with every breath ; and recalls as well, wondering if the good Cura's word was a last reflection of it, the theory of Origen that the souls of men in the world are only a rebirth, another chance, granted to the unhappy angels, quel cattivo coro degli angeli che non furon ribellin&amp;amp; fur fideli a Dio, ma per se fero. 30 &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- A Visigothic king set up his capital at Tuy, and no word is bad enough for him in the ecclesiastical histories. To the sect of Priscillian, or, more truly, to his way of thinking and reform, belonged the whole north-west in the fifth century. There is an odd phrase of Mgr. Duchesne's 3 which seems to suggest that on the worship of S. James and his seven disciples the passionate devotion to Priscillian and the seven martyrs of Priscillianism had some bearing. At the Council of Toledo in 400 the bishop of Astorga never gave him up, 4 the Gallegans went on mostly , living in schism, dissociated from the rest of Christianity, as later they were to be adherents of Peter of Luna and other Anti-Popes. &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- S. Toribio, whom we have met on the Pass of Rabanal, as he came back from the Holy Land with relics some time before 440, 2 was very active against the Priscillianists and denounced them as reading the Acts of S. Thomas, S. Andrew, and S. John, and with these the Memorials of Apostles, which are not otherwise known. &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- In the Acts of Philip, when S. Philip is in the role of S. James, Christ appears in the Ikeness and twin of S. Philip. 3 x Priscillian knew this twin of ol Christ's: "Ait Juda apostolus clamans ille didymus domini". 3 2 As one of the Sons of Thunder, of course S. James was a twin, and again we have to thank Rendel Harris for all the instances of the twin-child that is the Lightning's child: 33 S. John was the twin brother to S. James, but S. John was otherwise disposed of. He lived to be very old, his place was Ephesus: S. John in Ephesus, S. Peter in Rome, S. James in Compostella, was an idea familiar to the twelfth century in Galicia, and doubtless elsewhere and earlier: so the world was distributed, east and west and in Italy. Therefore S. James must have another twin: and was he not [AND MONO GRAPHS 346 -One goes to the underworld - Evidence from Iconography - WAY OF S.JAMES] already, in Canonical Scripture, the Brother of the Lord? The mortal twin, the chthonian power, is S. James: the divine, in heaven, is Jesus: but on the baldachin at Compostella S. James ruled. &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;CHAPTER VII - Espana sagrada Murguia, Galicia Menndez y Pelayo, Historia de los heterodoxos espanoles Osma, Catdlogo de azabaches compostelanos Fita y Guerra, Recuerdos de un viaje Fita, Opuscula Melida, Opuscula Luke of Tuy Heiss, Monnaies antiques de VEspagne Cumont, Oriental Religions in Roman Paganism, and Monuments Relatifs au Culte de Mithra Toutain, Les Cultes Paiens [AND MONOGRAPHS I 476 WAY OF S.JAMES] dans V empire Remain ReVille, La Religion a Rome sous les Severes Reinach, Cultes, Mythes et Religions Dussaud, Notes sur la Mythologie Syrienne  Brehier, L'Eglise et VOrient au Moyen-Age Maury, Croyances el Legendes du Moyen-Age ;Saintyves, Les Saints Successeurs des Dieux - Delehaye, Les Legendes HagiographiquesBabut, Priscillien et le Priscillianisme Goblet d'Alviella, La Migration des Symboles Dreves, Analecta Hymnica MediiAevi Diederich, Eine Mithras Liturgie and Der Untergang der Antiken Religion Wroth, Catalogue of Greek Coins Walker, Apocryphal Gospels, Acts, and Revelations Evans, Mycenaean Tree and Pillar Cults Lawson, Modern Greek Folk-lore and Ancient Greek Religion Jane Harrison, Prolegomena to the Study of Ancient Greek Religion&lt;/div&gt;&lt;div class="MsoNormal"&gt;A. B. Cook, Zeus Garstang, The Syrian Goddess Mrs. Arthur Strong, Apotheosis and After-Life Rendel Harris, The Dioscuri in the Christian Legends, The Cult of the HeavenlyTwins, Boanerges Frothingham, Hermes the Snake-God and the Caduceus Publications of the Palestine Pilgrims' Text Society. &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;- 4 Babut, Priscillien et le Priscillianisme, p. 192.&lt;/div&gt;&lt;div class="MsoNormal"&gt;- 1 Babut, Priscillien et la Priscillianisme, p. 130.&lt;/div&gt;&lt;div class="MsoNormal"&gt;- BABUT, CH. SCHEPSS, GEORGE. Priscilliani quae supersunt. In Corpus Scriptorum Ecclesiasti corum Latinorum. Vienna, 1889. 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Mondoñedo'/><author><name>pelgrim Geert</name><uri>http://www.blogger.com/profile/11858320793403286238</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://photos1.blogger.com/blogger/6260/1568/1600/GB%20receptie3.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20349865.post-113596992776285026</id><published>2005-12-30T10:51:00.001-08:00</published><updated>2009-06-09T02:11:01.748-07:00</updated><title type='text'>P I L G R I M S P L A Z A voor het fascinerende The Way of Saint James van Georgiana King</title><content type='html'>&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);font-family:times new roman;font-size:78%;"  &gt;Pelgrimeren is van alle tijden en iedereen © voor zoekers en sprokkelaars &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/6260/1568/1600/BRONZE%7E1.31.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; 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 mso-fareast-font-family:"Times New Roman";} a:link, span.MsoHyperlink  {color:blue;  text-decoration:underline;  text-underline:single;} a:visited, span.MsoHyperlinkFollowed  {color:purple;  text-decoration:underline;  text-underline:single;} @page Section1  {size:595.3pt 841.9pt;  margin:70.85pt 70.85pt 70.85pt 70.85pt;  mso-header-margin:35.4pt;  mso-footer-margin:35.4pt;  mso-paper-source:0;} div.Section1  {page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:Standaardtabel;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:"Times New Roman";  mso-ansi-language:#0400;  mso-fareast-language:#0400;  mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;&lt;a href="http://the-santiago-enigma-clues.blogspot.com/"&gt;http://the-santiago-enigma-clues.blogspot.com&lt;/a&gt; &lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style=""&gt;and &lt;/span&gt;&lt;a href="http://the-santiago-enigma-gateway.blogspot.com/"&gt;http://the-santiago-enigma-gateway.blogspot.com&lt;/a&gt; &lt;span style=""&gt; &lt;/span&gt;  &lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;a style="font-style: italic; color: rgb(255, 0, 0); font-weight: bold;" href="http://the-santiago-enigma-clues.blogspot.com/2009/05/santiago-enigma.html"&gt;Faces in the London Pórtico de la Gloria&lt;/a&gt;&lt;/p&gt;&lt;h3 class="post-title entry-title"&gt; &lt;/h3&gt;   &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ipijmPJzOQ4/ShbzDhlQALI/AAAAAAAAA9s/HzCUOiMUtIA/s1600-h/face+Christ+in+Majesty+Portico+London+138-1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5338721650174066866" style="margin: 0pt 0pt 10px 10px; float: right; width: 200px; cursor: pointer; height: 134px;" alt="" src="http://3.bp.blogspot.com/_ipijmPJzOQ4/ShbzDhlQALI/AAAAAAAAA9s/HzCUOiMUtIA/s200/face+Christ+in+Majesty+Portico+London+138-1.jpg" border="0" /&gt;&lt;/a&gt; All these faces are cut out of pictures of the plaster copy in the Victoria &amp;amp; Albert Museum at London of the Pórtico de la Gloria in Saint James's cathedral at Santiago de Compostela in Spain. Courtesy and © (permission given on 22-5-9) of Mr. Gareth Thomas who took al of these photos on the eve of his pilgrimage from England through France to Santiago. Also see &lt;a href="http://www.youtube.com/watch?v=Yz_kusZqrLQ"&gt;&lt;span style="font-size:85%;"&gt;http://www.youtube.com/watch?v=Yz_kusZqrLQ&lt;/span&gt;&lt;/a&gt; . &lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_ipijmPJzOQ4/Shb02HAswbI/AAAAAAAAA98/PRAbB0txyow/s1600-h/faces+Christ+in+Majesty+and+Jacobus+Major+Portico+London+035.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5338723618726396338" style="margin: 0pt 10px 10px 0pt; float: left; width: 106px; cursor: pointer; height: 200px;" alt="" src="http://1.bp.blogspot.com/_ipijmPJzOQ4/Shb02HAswbI/AAAAAAAAA98/PRAbB0txyow/s200/faces+Christ+in+Majesty+and+Jacobus+Major+Portico+London+035.jpg" border="0" /&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt;You may read more about the making of these pictures and Gareth's pilgrimage in &lt;/span&gt;&lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20890" href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20890"&gt;&lt;span lang="EN-GB"&gt;Re: The Santiago Enigma&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:0;"&gt; &lt;/span&gt;&lt;span lang="EN-GB"&gt;by &lt;/span&gt;&lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/member2652.html" href="http://www.pilgrimage-to-santiago.com/board/member2652.html"&gt;&lt;span lang="EN-GB"&gt;Gareth Thomas&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; on March 29th, 2008, 11:37 pm on &lt;/span&gt;&lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20890" href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20890"&gt;&lt;span lang="EN-GB"&gt;http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20890&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt; .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;This was followed by reactions on &lt;span style="font-weight: bold; color: rgb(255, 0, 0); font-style: italic;"&gt;The Santiago Enigma&lt;/span&gt; like: &lt;/span&gt;&lt;span style="font-size:0;"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794-25.html#p21219"&gt;&lt;span style="font-size:85%;"&gt;http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794-25.html#p21219 &lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt;&lt;/span&gt;&lt;span style="font-size:0;"&gt;&lt;span lang="EN-GB"&gt;and &lt;/span&gt;&lt;/span&gt;&lt;style&gt; &lt;!--  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-parent:"";  margin:0cm;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:12.0pt;  font-family:"Times New Roman";  mso-fareast-font-family:"Times New Roman";} a:link, span.MsoHyperlink  {color:blue;  text-decoration:underline;  text-underline:single;} a:visited, span.MsoHyperlinkFollowed  {color:purple;  text-decoration:underline;  text-underline:single;} @page Section1  {size:612.0pt 792.0pt;  margin:70.85pt 70.85pt 70.85pt 70.85pt;  mso-header-margin:35.4pt;  mso-footer-margin:35.4pt;  mso-paper-source:0;} div.Section1  {page:Section1;} --&gt; &lt;/style&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;a href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794-25.html#p21968"&gt;&lt;span lang="EN-GB"&gt;http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794-25.html#p21968&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:0;"&gt; . &lt;span lang="EN-GB"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;a href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794-25.html#p21219"&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;You may notice first Daniel’s vivid and human face and then the &lt;/span&gt;&lt;span lang="EN-GB"&gt;spiritual &lt;/span&gt;&lt;span lang="EN-GB"&gt;and &lt;/span&gt;&lt;span lang="EN-GB"&gt;similar faces of the Christ in Majesty and both James’&lt;/span&gt;&lt;span lang="EN-GB"&gt;s&lt;/span&gt;&lt;span lang="EN-GB"&gt; (Major and Minor). These pictures make it obvious that Master Mateo had a purpose or a mission, if not a direct order from his bishop to create these clear similarities.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="font-weight: bold; color: rgb(0, 0, 153);" class="MsoNormal"&gt;Did anyone ever read or hear about Mateo's &lt;span style="color: rgb(255, 0, 0);"&gt;iconographic program&lt;/span&gt; for the Pórtico de la Gloria at Compostela?&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;Nieuw! &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Waat staat &lt;span style="font-style: italic; font-weight: bold; color: rgb(255, 0, 0);"&gt;Sant iago&lt;/span&gt; eigenlijk voor?&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Welke raadselen vragen nog om een oplossing?&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Zie op het grote Santiagoforum te Santiago de Compostela: &lt;a href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20649"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;a href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20649"&gt;The Santiago Enigma&lt;/a&gt; &lt;a href="http://www.pilgrimage-to-santiago.com/board/post20649.html#p20649"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shapetype id="_x0000_t75" coordsize="21600,21600" spt="75" preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"&gt;  &lt;v:stroke joinstyle="miter"&gt;  &lt;v:formulas&gt;   &lt;v:f eqn="if lineDrawn pixelLineWidth 0"&gt;   &lt;v:f eqn="sum @0 1 0"&gt;   &lt;v:f eqn="sum 0 0 @1"&gt;   &lt;v:f eqn="prod @2 1 2"&gt;   &lt;v:f eqn="prod @3 21600 pixelWidth"&gt;   &lt;v:f eqn="prod @3 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @0 0 1"&gt;   &lt;v:f eqn="prod @6 1 2"&gt;   &lt;v:f eqn="prod @7 21600 pixelWidth"&gt;   &lt;v:f eqn="sum @8 21600 0"&gt;   &lt;v:f eqn="prod @7 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @10 21600 0"&gt;  &lt;/v:formulas&gt;  &lt;v:path extrusionok="f" gradientshapeok="t" connecttype="rect"&gt;  &lt;o:lock ext="edit" aspectratio="t"&gt; &lt;/v:shapetype&gt;&lt;v:shape id="_x0000_i1025" type="#_x0000_t75" alt="Post" href="http://www.pilgrimage-to-santiago.com/board/post20649.html#p20649" style="'width:8.25pt;height:6.75pt'" button="t"&gt;  &lt;v:imagedata src="file:///M:\WINDOWS\Temp\msohtml1\01\clip_image001.gif" href="http://www.pilgrimage-to-santiago.com/board/styles/blue2/imageset/icon_post_target.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;span style=""&gt;&lt;img src="file:///M:/WINDOWS/Temp/msohtml1/01/clip_image001.gif" alt="Post" title="Post" shapes="_x0000_i1025" width="11" border="0" height="9" /&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/a&gt;by &lt;a href="http://www.pilgrimage-to-santiago.com/board/member2623.html"&gt;PILGRIMSPLAZA&lt;/a&gt; on March 21st, 2008, 6:00 pm op &lt;a href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html"&gt;http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html&lt;/a&gt; &lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Daarop is de hamvraag:&lt;br /&gt;&lt;/p&gt;&lt;p style="font-weight: bold; font-style: italic; color: rgb(204, 51, 204);" class="MsoNormal"&gt;&lt;span style="font-size:130%;"&gt;5. How jewish Jacobus became catholic James&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Het antwoord is nog niet gegeven, dus wat let u…&lt;/p&gt;  &lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(51, 51, 255);font-family:times new roman;font-size:78%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);font-family:times new roman;font-size:78%;"  &gt;&lt;a href="http://pilgrimsplaza.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 51, 204);font-size:78%;" &gt;&lt;strong&gt;"At Bryn Mawr Miss King became a tradition and a cult; now she is a legend." &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 51, 255);font-size:78%;" &gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 51, 255);font-size:78%;" &gt;"Because this work is culturally important..."&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_ipijmPJzOQ4/R6TPBN_itwI/AAAAAAAAAi8/yrfL6a4bV3k/s1600-h/KingTrio.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5162478692716427010" style="margin: 0px 10px 10px 0px; float: left;" alt="" src="http://1.bp.blogspot.com/_ipijmPJzOQ4/R6TPBN_itwI/AAAAAAAAAi8/yrfL6a4bV3k/s200/KingTrio.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;News! 'King' herdrukt (foto)&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The Way of Saint James&lt;/span&gt;&lt;/strong&gt; van Georgiana Goddard King (1920)&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;font-size:10;color:navy;"   &gt;&lt;span style="font-size:85%;"&gt; is recent in  Santa Fe in Niew Mexico in de VS herdrukt en is nu ook op internet onbeperkt en  in diverse leesedities voor een ieder beschikbaar. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;color:navy;"  &gt;Voor een ongewijzigde  fotografische herdruk (met nieuwe korte inleidingen), zie &lt;a title="blocked::http://www.pilgrimsprocess.com/events.htm" href="http://www.pilgrimsprocess.com/events.htm"&gt;http://www.pilgrimsprocess.com/events.htm&lt;/a&gt;  ; mijn bestelling deed er een week over. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;color:navy;"  &gt;Voor diverse tweedehands  exemplaren van deze herdruk, zie onder meer &lt;a title="blocked::http://www.alibris.com/booksearch?cm_sp=search-_-collectibles-_-na" href="http://www.alibris.com/booksearch?cm_sp=search-_-collectibles-_-na"&gt;http://www.alibris.com/booksearch?cm_sp=search-_-collectibles-_-na&lt;/a&gt;  (of &lt;a title="blocked::http://www.alibris.com/" href="http://www.alibris.com/"&gt;www.alibris.com&lt;/a&gt; )&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;color:navy;"  &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;color:navy;"  &gt;Voor nog enkele antiquarische  eerste drukken, zie bijvoorbeeld &lt;a title="blocked::http://www.abebooks.com/" href="http://www.abebooks.com/"&gt;http://www.abebooks.com&lt;/a&gt; en zoek op auteur en  titel of ga direct naar &lt;a title="blocked::http://www.abebooks.com/servlet/SearchResults?an=georgiana+goddard+king&amp;amp;bsi=30&amp;amp;tn=the+way+of+saint+james&amp;amp;x=32&amp;amp;y=11&amp;amp;prevpage=1" href="http://www.abebooks.com/servlet/SearchResults?an=georgiana+goddard+king&amp;amp;bsi=30&amp;amp;tn=the+way+of+saint+james&amp;amp;x=32&amp;amp;y=11&amp;amp;prevpage=1"&gt;http://www.abebooks.com/servlet/SearchResults?an=georgiana+goddard+king&amp;amp;bsi=30&amp;amp;tn=the+way+of+saint+james&amp;amp;x=32&amp;amp;y=11&amp;amp;prevpage=1&lt;/a&gt;  waar je van de herdruk tientallen edities te kust en te keur vindt. Enkele originele eerste  drukken uit 1920 staan onderaan op de laatste pagina. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;i&gt;&lt;span style=";font-family:Arial;color:black;"  &gt;&lt;span style="font-style: italic;font-family:Arial;color:black;"  &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;color:navy;"  &gt;‘King’ lag (of ligt?)  ook te leen of ter inzage in de Openbare en de Koninklijke Bibliotheek (in het  centrum respectievelijk bij CS) te ’s-Gravenhage.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;color:navy;"  &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;color:navy;"  &gt;Zie de volledige inhoudsopgave van alle drie  King-delen hieronder op &lt;a title="blocked::http://pilgrimsplaza-king-index.blogspot.com/" href="http://pilgrimsplaza-king-index.blogspot.com/"&gt;http://pilgrimsplaza-king-index.blogspot.com&lt;/a&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;font-size:10;color:navy;"   &gt;&lt;span style="font-size:85%;"&gt;. Meer over en besprekingen op enkele King-weblogs onder &lt;a title="blocked::http://www.pelgrimspaden.nl/" href="http://www.pelgrimspaden.nl/"&gt;www.pelgrimspaden.nl&lt;/a&gt; en op het grote  forum te Santiago de Compostela ( &lt;a title="blocked::http://www.pilgrimage-to-santiago.com/" href="http://www.pilgrimage-to-santiago.com/"&gt;http://www.pilgrimage-to-santiago.com&lt;/a&gt;  ) in &lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20649" href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20649"&gt;The  Santiago Enigma&lt;/a&gt; by &lt;a title="blocked::PILGRIMSPLAZA" href="http://www.blogger.com/PILGRIMSPLAZA"&gt;PILGRIMSPLAZA&lt;/a&gt; op &lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20649" href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20649"&gt;http://www.pilgrimage-to-santiago.com/board/miscellaneous-about-santiago/topic3794.html#p20649&lt;/a&gt;  . &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;font-size:10;color:navy;"   &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:Arial;font-size:85%;color:navy;"   &gt;&lt;span style=";font-family:Arial;font-size:10;color:navy;"   &gt;&lt;span style="font-size:85%;"&gt;Op dat Santiagoforum is  recent in reactie op Jacobus ook veel geschreven over zijn ‘concurrent’  Priscillianus; zie &lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/miscellaneous-topics/topic3554.html#p18832" href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-topics/topic3554.html#p18832"&gt;Pilgrimage  to Heresy: Don't Believe Everything They Tell You&lt;/a&gt; &lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/miscellaneous-topics/topic3554.html#p18832" href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-topics/topic3554.html#p18832"&gt;&lt;img id="_x0000_i1039" title="blocked::http://www.pilgrimage-to-santiago.com/board/miscellaneous-topics/topic3554.html#p18832 Post" alt="Post" src="cid:image001.gif@01C99459.B9BCD410" width="11" border="0" height="9" /&gt;&lt;/a&gt;by &lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/member2605.html" href="http://www.pilgrimage-to-santiago.com/board/member2605.html"&gt;Priscillian&lt;/a&gt;  op &lt;a title="blocked::http://www.pilgrimage-to-santiago.com/board/miscellaneous-topics/topic3554.html#p18832" href="http://www.pilgrimage-to-santiago.com/board/miscellaneous-topics/topic3554.html#p18832"&gt;http://www.pilgrimage-to-santiago.com/board/miscellaneous-topics/topic3554.html#p18832&lt;/a&gt;  . Ook een mooi geschreven boek!&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Meer informatie op: &lt;a href="mailto:gatherings@americanpilgrims.com"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;gatherings@americanpilgrims.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt; ; &lt;/strong&gt;&lt;/span&gt;&lt;a href="http://www.americanpilgrims.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://www.americanpilgrims.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt; ; &lt;/strong&gt;&lt;/span&gt;&lt;a href="http://www.backpack45.com/camino2.html"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://www.backpack45.com/camino2.html&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt; ; &lt;/strong&gt;&lt;/span&gt;&lt;a href="http://www.pilgrimsprocess.com/events.htm"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://www.pilgrimsprocess.com/events.htm&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; ; &lt;/span&gt;&lt;a href="mailto:magazine@americanpilgrims.com"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;magazine@americanpilgrims.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; ; &lt;/span&gt;&lt;a href="http://www.americanpilgrims.com/contact_us/contact_us.html"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;htttp://www.americanpilgrims.com/contact_us/contact_us.html&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; ; &lt;/span&gt;&lt;a href="http://www.americanpilgrims.com/events/events_national.html.com"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://www.americanpilgrims.com/events/events_national.html.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);"&gt;Bijeenkomst &lt;/span&gt;&lt;a style="font-weight: bold; color: rgb(255, 0, 0);" href="http://4.bp.blogspot.com/_ipijmPJzOQ4/R6mbHt_it3I/AAAAAAAAAjw/iob5ZDAQ_Ig/s1600-h/american+pilgrims+gathering+2007.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5163829004664485746" style="margin: 0px 10px 10px 0px; float: left;" alt="" src="http://4.bp.blogspot.com/_ipijmPJzOQ4/R6mbHt_it3I/AAAAAAAAAjw/iob5ZDAQ_Ig/s320/american+pilgrims+gathering+2007.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);"&gt;American pilgrims 200&lt;span style="color: rgb(51, 51, 153);"&gt;7&lt;/span&gt; (!)&lt;/span&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;If you were not able to attend, you can get some sense of what you missed by browsing through the beautiful program (PDF, 700KB): Pilgrimage to America - Gathering of Pilgrims - Williamsburg, Virginia - March 9-11, 2007 (!) &lt;a href="http://www.americanpilgrims.com/"&gt;http://www.americanpilgrims.com&lt;/a&gt; ; &lt;a href="http://www.americanpilgrims.com/events/events_national.html"&gt;http://www.americanpilgrims.com/events/events_national.html&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:78%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Some subjects from the program:&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;“&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;Pilgrimage in Classical Greece and Rome&lt;/strong&gt;&lt;/span&gt;”—Barbette Spaeth, chair of the department of classical studies at William &amp;amp; Mary, explores the modes of pilgrimage in traditional Greek and Roman religions with telling examples from Corinth, Egypt and throughout the classical world.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:78%;"&gt;“&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Prayer and pilgrimage&lt;/span&gt;&lt;/strong&gt;”—Rev. Michael Wyatt, Chair of American Pilgrims on the Camino, former Canon Theologian at the National Cathedral in Washington, DC, and now at St. John’s Episcopal Church in What does it mean to walk for spiritual reasons? What about religious reasons? Explore together what methods help us remain both open and focused as pilgrims.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:78%;"&gt;“&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Pilgrims and Crusaders&lt;/span&gt;&lt;/strong&gt;”—Phil Daileader, a nationally known authority on the Crusades, is also the scholar behind the distinguished lectures on The Early Middle Ages and The High Middle Ages from The Great Courses audio series. He received his doctorate in medievalhistory from Harvard University in 1996, and has been teaching at William and Mary since 1998. He specializes in the social and cultural history of Mediterranean Europe.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:78%;"&gt;“&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Pilgrimage in the Islamic Tradition&lt;/span&gt;&lt;/strong&gt;”—John Williams will speak on pilgrimage in the Islamic tradition, travel for transformation by a faith community which undertakes the hajj to Mecca as a sacred duty for every believer. John is professor emeritus of religious studies at the College of William &amp;amp; Mary and a specialist in the Islamic tradition. His books include The World of Islam, Themes of Islamic Civilization and Roman Catholics and Shi’i Muslims.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:78%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Next Step&lt;/span&gt;&lt;/strong&gt; - 2008&lt;span style="color: rgb(255, 0, 0);"&gt; (!) &lt;/span&gt;Gathering and Hospitalero Training - Mission Santa Barbara, Santa Barbara, California - March, 2008 (!) - &lt;a href="http://www.santabarbara.com/points_of_interest/mission"&gt;http://www.santabarbara.com/points_of_interest/mission&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:78%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Pilgrims on the Camino American&lt;/span&gt;&lt;/strong&gt; - Our mission is to foster the enduring traditions of the Camino by supporting its infrastructure, by gathering pilgrims together, and by providing information and encouragement to past and future pilgrims. American Pilgrims continually seeks meaningful ways to support the Camino de Santiago de Compostela. &lt;a href="mailto:info@americanpilgrims.com"&gt;info@americanpilgrims.com&lt;/a&gt; ; &lt;a href="http://www.americanpilgrims.com/"&gt;http://www.americanpilgrims.com&lt;/a&gt; ; &lt;a href="mailto:gatherings@americanpilgrims.com"&gt;gatherings@americanpilgrims.com&lt;/a&gt; or American Pilgrims on the Camino, Attn: Gathering, 1514 Channing Avenue, Palo Alto CA 94303, USA &lt;/span&gt;&lt;/p&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Flip Books &amp;amp; reviews:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;http://&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://www.openlibrary.org/details/wayofsaintjames01kinguoft"&gt;&lt;strong&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;www.openlibrary.org/details/wayofsaintjames01kinguoft&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; Vol. I&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://www.openlibrary.org/details/wayofsaintjames02kinguoft"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;www.openlibrary.org/details/wayofsaintjames02kinguoft&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; Vol. II&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://www.openlibrary.org/details/wayofsaintjames03kinguoft"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;www.openlibrary.org/details/wayofsaintjames03kinguoft&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; Vol. III&lt;br /&gt;&lt;/span&gt;&lt;a href="http://openlibrary.org/details/wayofperfectlove00kingiala"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://openlibrary.org/details/wayofperfectlove00kingiala&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; TWoPL&lt;br /&gt;&lt;/span&gt;&lt;a href="http://openlibrary.org/details/unpublishednotes00streuoft"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://openlibrary.org/details/unpublishednotes00streuoft&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; UNaRP&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.archive.org/details/someaccountofgot00streuoft"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://www.archive.org/details/someaccountofgot00streuoft&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; SAoGAiS&lt;br /&gt;&lt;a href="http://www.archive.org/details/someaccountofgoto2streiala"&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;http://www.archive.org/details/someaccountofgot02streiala &lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Vol. II&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://demo.openlibrary.org/b/way_of_saint_james_2/review/1"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://demo.openlibrary.org/b/way_of_saint_james_2/review/1&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; MvH1 22-01-08 &lt;/span&gt;&lt;a href="http://demo.openlibrary.org/b/way_of_Saint_James_2/review/2"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://demo.openlibrary.org/b/way_of_Saint_James_2/review/2&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; PP2 16-01-08 &lt;/span&gt;&lt;br /&gt;&lt;a href="http://demo.openlibrary.org/search?go=go&amp;amp;q=Georgiana+Goddard+King"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://demo.openlibrary.org/search?go=go&amp;amp;q=Georgiana+Goddard+King&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; 18 titels &lt;/span&gt;&lt;br /&gt;&lt;a href="http://pilgrimsplaza-king3.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://pilgrimsplaza-king3.blogspot.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; MvH 26-11-07&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;a style="color: rgb(0, 0, 153); font-weight: bold;" href="http://libro.uca.edu/sjc/sjc.htm"&gt;http://libro.uca.edu/sjc/sjc.htm&lt;/a&gt;&lt;span style="color: rgb(0, 0, 153); font-weight: bold;"&gt; text-on-line-book: &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_ipijmPJzOQ4/R8qL_r53_CI/AAAAAAAAAoI/4k-Ugupbo-o/s1600-h/Starkie+The+Road+to+Santiago+titelpagina.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://2.bp.blogspot.com/_ipijmPJzOQ4/R8qL_r53_CI/AAAAAAAAAoI/4k-Ugupbo-o/s200/Starkie+The+Road+to+Santiago+titelpagina.jpg" alt="" id="BLOGGER_PHOTO_ID_5173101048221924386" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_ipijmPJzOQ4/R8w5tr53_EI/AAAAAAAAAoY/w-nOKg7Z4DU/s1600-h/Street+-+King+-+SAoGAiS+titelpagina+schoon.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://4.bp.blogspot.com/_ipijmPJzOQ4/R8w5tr53_EI/AAAAAAAAAoY/w-nOKg7Z4DU/s200/Street+-+King+-+SAoGAiS+titelpagina+schoon.jpg" alt="" id="BLOGGER_PHOTO_ID_5173573528984222786" border="0" /&gt;&lt;/a&gt;  R. A. Fletcher, &lt;span style="" lang="EN-GB"&gt;&lt;span style="color: rgb(255, 0, 0); font-weight: bold;"&gt;Saint James's Catapult: The Life and Times of Diego Gelmírez of Santiago de Compostela &lt;/span&gt;&lt;/span&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-size:78%;"&gt;&lt;a style="color: rgb(0, 0, 153); font-weight: bold;" href="http://www.archive.org/details/roadtosantiago010125mbp"&gt;&lt;span style="" lang="EN-GB"&gt;http://www.archive.org/details/roadtosantiago010125mbp&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="" lang="EN-GB"&gt; &lt;span style="font-weight: bold; color: rgb(255, 0, 0);"&gt;The Road To Santiago, Pilgrims of St. James&lt;/span&gt; (1957) Walter Starkie, Flip Book  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="" lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;  &lt;span&gt;&lt;strong&gt;&lt;a title="blocked::http://www.pilgrimage-to-santiago.com/2008/01/30/for-the-first-time-more-foreign-pilgrims-than-spaniards" href="http://www.pilgrimage-to-santiago.com/2008/01/30/for-the-first-time-more-foreign-pilgrims-than-spaniards"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://www.pilgrimage-to-santiago.com/2008/01/30/for-the-first-time-more-foreign-pilgrims-than-spaniards&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt; &lt;/strong&gt;&lt;/span&gt;&lt;a title="blocked::http://www.lavozdegalicia.es/santiago/2008/01/30/0003_6524976.htm" href="http://www.lavozdegalicia.es/santiago/2008/01/30/0003_6524976.htm"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;a href="http://3.bp.blogspot.com/_ipijmPJzOQ4/R6ear9_itxI/AAAAAAAAAjE/dNLDkQO4d04/s1600-h/Santiago+-+for+the+first+time+more+foreign+pilgrims+than+Spaniards"&gt;&lt;img id="BLOGGER_PHOTO_ID_5163265577969694482" style="margin: 0px 10px 10px 0px; float: left;" alt="" src="http://3.bp.blogspot.com/_ipijmPJzOQ4/R6ear9_itxI/AAAAAAAAAjE/dNLDkQO4d04/s200/Santiago+-+for+the+first+time+more+foreign+pilgrims+than+Spaniards" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;For the first time, more foreign pilgrims&lt;/span&gt;&lt;/strong&gt; [in Santiago de Compostela]&lt;br /&gt;&lt;br /&gt;&lt;a title="blocked::http://www.lavozdegalicia.es/santiago/2008/01/30/0003_6524976.htm" href="http://www.lavozdegalicia.es/santiago/2008/01/30/0003_6524976.htm"&gt;&lt;strong&gt;&lt;/strong&gt;La Voz de Galicia&lt;/a&gt; reports today [January 30th, 2008] that for the first time since statistics where collected in 1985 that there are more foreigners receiving the &lt;a title="blocked::http://www.pilgrim-wiki.com/index.php?title=" href="http://www.pilgrim-wiki.com/index.php?title=Compostela"&gt;compostela&lt;/a&gt; than Spaniards. The article focuses on the fact that last year, 58.700 foreigners recieved the compostela and “only” 55 326 Spaniards. The articles also mentions that pilgrims from 121 countries received the compostela in 2007. &lt;a title="blocked::http://www.pilgrimage-to-santiago.com/2008/01/30/for-the-first-time-more-foreign-pilgrims-than-spaniards" href="http://www.pilgrimage-to-santiago.com/2008/01/30/for-the-first-time-more-foreign-pilgrims-than-spaniards"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Geert BAKKER&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);"&gt;PILGRIMSPLAZA&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.pelgrimspaden.nl/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;www.pelgrimspaden.nl&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt; &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;Addresses &gt; &lt;a href="http://www.blogger.com/comment.g?blogID=8134077826953738137&amp;amp;postID=8490725250620674698"&gt;Comments&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.pelgrimspaden.nl/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;http://www.pelgrimspaden.nl&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; &gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://king-early-days.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;http://king-early-days.blogspot.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; (in English) &amp;amp; (the following in Dutch:)&lt;br /&gt;&lt;/span&gt;&lt;a href="http://king-renaissance.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;http://king-renaissance.blogspot.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://pilgrimsplaza-king-index.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;http://pilgrimsplaza-king-index.blogspot.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; (Index and Forword of The Way of Saint James)&lt;br /&gt;&lt;/span&gt;&lt;a href="http://pilgrimsplaza-king-1.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;http://pilgrimsplaza-king-1.blogspot.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://pilgrimsplaza-traplepuy.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;http://pilgrimsplaza-traplepuy.blogspot.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://pilgrimsplaza-king3.blogspot.com/"&gt;&lt;span style="font-size:78%;"&gt;http://pilgrimsplaza-king3.blogspot.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; (mainly in English) &lt;/span&gt;&lt;br /&gt;&lt;a href="http://pilgrimsplaza.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;http://pilgrimsplaza.blogspot.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;a href="http://4.bp.blogspot.com/_ipijmPJzOQ4/RucaAqEklUI/AAAAAAAAAOE/1fx7eJtjdCw/s1600-h/376KIN%7E1-1.JPG"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;strong&gt;&lt;img id="BLOGGER_PHOTO_ID_5109080900870903106" style="margin: 0px 10px 10px 0px; float: left;" alt="" src="http://4.bp.blogspot.com/_ipijmPJzOQ4/RucaAqEklUI/AAAAAAAAAOE/1fx7eJtjdCw/s200/376KIN%7E1-1.JPG" border="0" /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;strong&gt;Nieuws: &lt;/strong&gt;&lt;strong&gt;'&lt;em&gt;King&lt;/em&gt;' is in de VS herdrukt als pocketbook en ook de eerste druk uit 1920 (foto) is nog verkrijgbaar! Mijn zending deed er nog geen week over. Iedereen kan nu dit verbijsterende en ontroerende meesterwerk op de eigen pc lezen en kopiëren. Doe mee aan de bespreking en meld u aan in het reactieformulier onderaan deze pagina.&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;Editorial Review op Amazon.com: &lt;/strong&gt;&lt;span style="font-family:times new roman;"&gt;&lt;em&gt;Book Description - In Three Volumes. This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. &lt;span style="color: rgb(51, 51, 255);"&gt;Because this work is culturally important&lt;/span&gt;, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature. &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;&lt;span style="font-size:78%;"&gt;[Mijn net uit de VS ontvangen eerste druk is vrijwel gaaf en ruikt ook heerlijk!- gb] &lt;/span&gt;&lt;a href="http://www.amazon.com/Way-Saint-James-V3/dp/1432683349/ref=pd_rhf_p_1/103-5192896-7687066"&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 51, 255);font-size:78%;" &gt;http://www.amazon.com/Way-Saint-James-V3/dp/1432683349/ref=pd_rhf_p_1/103-5192896-7687066&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:78%;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 0, 0);font-family:times new roman;" &gt;&lt;br /&gt;De lezer is van harte uitgenodigd om aan de elders op &lt;a href="http://www.pelgrimspaden.nl/"&gt;&lt;span style="color: rgb(51, 51, 255);font-size:78%;" &gt;&lt;strong&gt;www.pelgrimspaden.nl&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt; geplaatste besprekingen een vervolg te geven. Einddoel daarvan is een handzame dundruk van dit standaardwerk in het Nederlands, waarmee de pelgrim onderweg de talloze kerk-, kunst-, archi­tectuur- en plaats­beschrijvingen in Frankrijk en Spanje ter plekke kan nalezen. Dat is een enerverende ervaring die ik in Israël had! Zie &lt;/span&gt;&lt;a href="http://pilgrimsplaza.blogspot.com/"&gt;&lt;span style="color: rgb(51, 51, 255);font-family:times new roman;font-size:78%;"  &gt;&lt;strong&gt;http://pilgrimsplaza.blogspot.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);font-family:times new roman;" &gt;.&lt;a href="http://demo.openlibrary.org/search?q=Georgiana+Goddard+King"&gt;&lt;span style="color: rgb(51, 51, 255);font-size:78%;" &gt;&lt;strong&gt;&lt;em&gt;http://demo.openlibrary.org/search?q=Georgiana+Goddard+King&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;. &lt;/span&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;The Way of Saint James &lt;img style="margin: 0px 0px 10px 10px; float: right; width: 174px; height: 131px;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/377%20King%203%20titelpaginas.jpg" width="188" border="0" height="150" /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;Georgiana Goddard King&lt;br /&gt;1920, by THE HISPANIC SOCIETY OF AMERICA&lt;br /&gt;The Knickerbocker Press, New York&lt;br /&gt;HISPANIC NOTES AND MONOGRAPHS I&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;Zie onderaan deze lange pagina het FOREWORD om een indruk te krijgen. Mevrouw King was in alle opzichten een klasse apart. Nog lang nadat haar collega's dat niet meer deden droeg zij nog haar zwarte toga. Ze doceerde uit het hoofd en in een geheel verduisterd lokaal opdat haar studenten geen notities konden maken. Het bijzondere taalgebruik vormt een belangrijk aspect van de onweerstaanbare charme van haar meesterwerk. Ik ben er als een blok voor gevallen. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK ONE: THE PILGRIMAGE&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 1:&lt;/span&gt; hoofdstukken I - V&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK TWO: THE WAY&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 1:&lt;/span&gt; hoofdstukken I - VIII&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK TWO: THE WAY&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 2:&lt;/span&gt; hoofdstukken IX - XVI&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK THREE: THE BOURNE&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 3:&lt;/span&gt; hoofdstukken I - VII&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK FOUR: HOMEWARD&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 3:&lt;/span&gt; hoofdstukken I - III&lt;br /&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/6260/1568/1600/530%20King%203%20delen%20in%201%20hand.0.jpg"&gt;&lt;img style="margin: 0px 0px 10px 10px; float: right; width: 181px; height: 120px;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/530%20King%203%20delen%20in%201%20hand.0.jpg" width="181" border="0" height="150" /&gt;&lt;/a&gt;Het werk bestaat uit (foto) drie aparte in een linnen omslag ingebonden &lt;span style="color: rgb(51, 51, 255);"&gt;banden&lt;/span&gt;, elk iets groter dan een pocketbook, maar toch passend in de binnenzak. Deze &lt;span style="color: rgb(51, 51, 255);"&gt;3 banden&lt;/span&gt; omvatten samen 31 hoofdstukken in samen &lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;4 boeken (BOOKS).&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;BOOK ONE&lt;/strong&gt;&lt;/span&gt; en de 1e helft van &lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK TWO&lt;/span&gt;&lt;/strong&gt; zitten samen in &lt;span style="color: rgb(51, 51, 255);"&gt;band 1.&lt;/span&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;Band 2&lt;/span&gt; omvat slechts de 2e helft van &lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK TWO&lt;/span&gt;&lt;/strong&gt;. &lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK THREE&lt;/span&gt;&lt;/strong&gt; en &lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK FOUR&lt;/span&gt;&lt;/strong&gt; staan samen in &lt;span style="color: rgb(51, 51, 255);"&gt;band 3&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Elk boek (maar niet elke band - dat maakt het een beetje ingewikkeld) heeft rubrieken als Appendix, Bibliography, Illustrations en &lt;span style="color: rgb(51, 51, 255);"&gt;Notes&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;, waar de paginanummering opnieuw begint. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;INDEX:&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;[&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Die bovengenoemde 31 (5+8+8+7+3) hoofdstukken zijn getiteld:]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK ONE: THE PILGRIMAGE&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 1&lt;/span&gt; &lt;a href="http://photos1.blogger.com/blogger/6260/1568/1600/409%20King%20foto%20Saint%20James.1.jpg"&gt;&lt;img style="margin: 0px 0px 10px 10px; float: right; width: 176px; height: 141px;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/409%20King%20foto%20Saint%20James.1.jpg" width="200" border="0" height="141" /&gt;&lt;/a&gt;&lt;br /&gt;I. INTENTIONS 3&lt;br /&gt;II. TURPIN’S CHRONICLE 26&lt;br /&gt;III. THE BOOK OF S. JAMES 41&lt;br /&gt;IV. THE STATIONS OF THE WAY 64&lt;br /&gt;V. &lt;em&gt;ROMEROS EN ROMERÍA&lt;/em&gt; 93&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK TWO: THE WAY&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 1&lt;/span&gt;&lt;br /&gt;I. SETTING OUT 137&lt;br /&gt;II. HEART OF ARAGON 152&lt;br /&gt;III. THE BATHS OF TIERMAS 202&lt;br /&gt;IV. PAMPELUNA 253&lt;br /&gt;V. SAINT SEPULCHRE 286&lt;br /&gt;VI. TOWN CHURCHES 324&lt;br /&gt;VII. THE LOGROÑO ROAD 366&lt;br /&gt;VIII. TWO ROAD-MENDERS 406&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK TWO: THE WAY &lt;em&gt;(Continued)&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 2&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;a href="http://photos1.blogger.com/blogger/6260/1568/1600/433%20King%20Matamoros.1.jpg"&gt;&lt;img style="margin: 0px 0px 10px 10px; float: right; width: 187px; height: 132px;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/433%20King%20Matamoros.1.jpg" width="200" border="0" height="132" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;IX. &lt;em&gt;CAPUT CASTELLAE&lt;/em&gt; 3&lt;br /&gt;X. THE FORDS OF CARRION 71&lt;br /&gt;XI. SAHAGÚN 118&lt;br /&gt;XII. &lt;em&gt;PULCHRA LEONINA&lt;/em&gt; 175&lt;br /&gt;XIII. THE HEATH AND THE PASS 278&lt;br /&gt;XIV. THE PASSAGE HONOURABLE 317&lt;br /&gt;XV. IN THE VIERZO 349&lt;br /&gt;XVI. BY SIL AND MIÑO 381&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK THREE: THE BOURNE&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 3&lt;/span&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/6260/1568/1600/378%20King%20voorplaat%20deel%20I.jpg"&gt;&lt;img style="margin: 0px 0px 10px 10px; float: right; width: 179px; height: 110px;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/378%20King%20voorplaat%20deel%20I.jpg" width="200" border="0" height="132" /&gt;&lt;/a&gt;I. &lt;em&gt;AÑO SANTO&lt;/em&gt; 3&lt;br /&gt;II. THE CHURCH OF THE APOSTLE 34&lt;br /&gt;III. DIEGO GELMÍREZ 88&lt;br /&gt;IV. COMPOSTELA 139&lt;br /&gt;V. THE WORLD’S END 202&lt;br /&gt;VI. THE PARADISE OF SOULS 221&lt;br /&gt;VII. THE ASIAN GOD 278&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK FOUR: HOMEWARD&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 3&lt;/span&gt;&lt;br /&gt;I. SUMMING OP 373&lt;br /&gt;II. &lt;em&gt;MA CALEBASSE, C’EST MA COMPAGNE&lt;/em&gt; 417&lt;br /&gt;III. THE TWO ROADS 428&lt;br /&gt;&lt;br /&gt;Nu volgt van &lt;span style="color: rgb(51, 51, 255);"&gt;band 1&lt;/span&gt; de index; deze vormt een uitbreiding van wat hierboven staat.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;***********************************************************************************&lt;br /&gt;KB-NUMMER 1927-9-K-141 / 7001 280902 8&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;band 1: ± 416 pagina's&lt;/span&gt;&lt;br /&gt;***********************************************************************************&lt;span style="font-size:78%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;iii-ix FOREWORD - G.G. King. Bryn Mawr, All Souls’ Day, 1917&lt;br /&gt;&lt;br /&gt;xiii &lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK ONE: THE PILGRIMAGE&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 1 &lt;/span&gt;&lt;br /&gt;Chapter:&lt;br /&gt;I. INTENTIONS 3&lt;br /&gt;II. TURPIN’S CHRONICLE 26&lt;br /&gt;III. THE BOOK OF S. JAMES 41&lt;br /&gt;IV. THE STATIONS OF THE WAY 64&lt;br /&gt;V. &lt;em&gt;ROMEROS EN ROMERÍA&lt;/em&gt; 93&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK TWO: THE WAY&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 1&lt;/span&gt;&lt;br /&gt;I. SETTING OUT 137&lt;br /&gt;II. HEART OF ARAGON 152&lt;br /&gt;Jaca: The Cathedral 157&lt;br /&gt;S. Juan de la Peña 165&lt;br /&gt;&lt;em&gt;Alfonso el Batallador&lt;/em&gt; 192&lt;br /&gt;III. THE BATHS OF TIERMAS 202&lt;br /&gt;Leyre 210&lt;br /&gt;Sangüesa 230&lt;br /&gt;IV. PAMPELUNA 253&lt;br /&gt;V. SAINT SEPULCHRE 286&lt;br /&gt;Puente La Reyna 294&lt;br /&gt;El Sepulchro 309&lt;br /&gt;VI. TOWN CHURCHES 324&lt;br /&gt;Irache 357&lt;br /&gt;VII. THE LOGROÑO ROAD 366&lt;br /&gt;The Spires of Logroño 370&lt;br /&gt;Along the Battlefield 381&lt;br /&gt;S. Mary the Royal 394&lt;br /&gt;VIII. TWO ROAD-MENDERS 406&lt;br /&gt;&lt;em&gt;Sieurs des Orties&lt;/em&gt; 431&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NOTES&lt;/span&gt; 441&lt;br /&gt;XV ILLUSTRATIONS&lt;br /&gt;&lt;em&gt;SANTIAGO MAYOR Fronticpiece&lt;/em&gt;&lt;br /&gt;S. JAMES: FROM BERRUGUETE’S TOMB OF CARDINAL TAVERA 51&lt;br /&gt;THE SOUL AS PILGRIM &lt;em&gt;From a miniature of the Xvth century&lt;/em&gt; 125&lt;br /&gt;THE CREST OF THE PYRENEES &lt;em&gt;Photogravure&lt;/em&gt;139&lt;br /&gt;A PYRENEAN VILLAGE 149&lt;br /&gt;S. JAMES AND PILGRIM: FROM S. CERNÍN 179&lt;br /&gt;EUNATE &lt;em&gt;Photogravure&lt;/em&gt; 231&lt;br /&gt;THE QUEEN’S BRIDGE &lt;em&gt;Photogravure&lt;/em&gt; 286&lt;br /&gt;EL SEPULCRO 311&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK 1-1 THE PILGRIMAGE&lt;/span&gt;&lt;/strong&gt; 3&lt;br /&gt;I. INTENTIONS (3 58-63 72-3 80-92) * (zie noot onderaan)&lt;br /&gt;V.&lt;em&gt; ROMEROS EN ROMERÍA&lt;/em&gt; 93 (93-7 102-124 130-4)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK 1-2 (TWO) THE WAY&lt;/span&gt;&lt;/strong&gt; 135&lt;br /&gt;I. SETTING OUT 137 (137-141 222-3 240-1 292-3)&lt;br /&gt;Puenta la Reyna 294 (294-5 308)&lt;br /&gt;El Sepulcro 309 (309-311 314-317 358-9 364-5 372-373 398-9 408-9 412-3 426-9 436-9)&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NOTES&lt;/span&gt;&lt;br /&gt;CHAPTER IV 446-8&lt;br /&gt;CHAPTER V 448-460&lt;br /&gt;The Spires of Logroño 460&lt;br /&gt;Along the Battlefield 460&lt;br /&gt;S. Mary the Royal 461&lt;br /&gt;Chapter VII 461&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;***********************************************************************************&lt;br /&gt;KB-NUMMER 1927-9-K-142 / 7001 280903 X&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;band 2: ± 514 pagina’s&lt;/span&gt;; subtotaaal = 516+514=1030)&lt;br /&gt;*****************************************************************************&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;******&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;iii CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;BOOK TWO: THE WAY &lt;em&gt;(Continued)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 2 &lt;/span&gt;&lt;br /&gt;Chapter:&lt;br /&gt;IX. &lt;em&gt;CAPUT CASTELLAE&lt;/em&gt; 3&lt;br /&gt;Las Huelgas 10&lt;br /&gt;The Cathedral 29&lt;br /&gt;Strangers and Pilgrims 60&lt;br /&gt;X. THE FORDS OF CARRION 71&lt;br /&gt;Villalcázar de Sirga 84&lt;br /&gt;Carrión de los Condes 96&lt;br /&gt;Benevívere 112&lt;br /&gt;XI. SAHAGÚN 118&lt;br /&gt;Sepultados 151&lt;br /&gt;S. Pedro de las Dueñas 160&lt;br /&gt;The Pilgrim Turns Aside to S. Miguel de Escalada 165&lt;br /&gt;XII. &lt;em&gt;PULCHRA LEONINA&lt;/em&gt; 175&lt;br /&gt;S. Isidore 186&lt;br /&gt;iv Doctor Egregius 214&lt;br /&gt;Leon the Fair 238&lt;br /&gt;XIII. THE HEATH AND THE PASS 278&lt;br /&gt;Astorga 293&lt;br /&gt;The Port of Rabanal 238&lt;br /&gt;XIV. THE PASSAGE HONOURABLE 317&lt;br /&gt;XV. IN THE VIERZO 349&lt;br /&gt;Cacabelos 361&lt;br /&gt;Villafranca 367&lt;br /&gt;XVI. BY SIL AND MIÑO 381&lt;br /&gt;The River Road 382&lt;br /&gt;In Galicia 410&lt;br /&gt;The Unknown Church 425&lt;br /&gt;Whinny Moor 461&lt;br /&gt;Mountjoy 480&lt;br /&gt;493 v ILLUSTRATIONS&lt;br /&gt;S. JAMES &lt;em&gt;Frontispiece&lt;/em&gt; (&lt;em&gt;From the painting&lt;/em&gt; by El Greco)&lt;br /&gt;BRIDGE OVER THE PORMA 45&lt;br /&gt;BENEVÍVERE &lt;em&gt;Photogravure&lt;/em&gt;114&lt;br /&gt;A PILGRIM IN BLACK-LETTER 157&lt;br /&gt;THE CHURCH AT ORBIGO &lt;em&gt;Photogravure&lt;/em&gt;204&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/6260/1568/1600/452KIN%7E1.0.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/452KIN%7E1.0.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;A LITTLE TOWN IN LEON 235&lt;br /&gt;THE PASS OF RABANAL 285&lt;br /&gt;THE BRIDGE OF ORBIGO 327&lt;br /&gt;THE MOUNTAIN OF THE VIERZO &lt;em&gt;Photogravure&lt;/em&gt; 354&lt;br /&gt;vi&lt;br /&gt;VEGA DE VALCARCEL 399&lt;br /&gt;A PILGRIM IN JET 445&lt;br /&gt;A PILGRIM IN SANTIAGO 483&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK TWO 1 THE WAY (Concluded)&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 2 &lt;/span&gt;&lt;br /&gt;IX CAPUT CASTELLAE (3-9 44-5 68-70) 3&lt;br /&gt;X THE FORDS OF CARRION (71-3 92-5 122-137 156-7 164-5)&lt;br /&gt;The Pilgrim turns aside to S. Miguel de Escalada 165 (165-171 180-186)&lt;br /&gt;S. Isidore (186-194 202-7 220-237 254-265) 186&lt;br /&gt;The Port of Rabanal (304-5 326-7 350-360) 304&lt;br /&gt;Cacabelos (380) 361&lt;br /&gt;XVI BY SIL AND MIÑO (381 410) 381&lt;br /&gt;In Galicia (410-1 420-425) 410&lt;br /&gt;The Unknown Church (425-445 452-5 458-461) 425&lt;br /&gt;Whinny Moor 461&lt;br /&gt;Mountjoy! (480-3 490-2) 480&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NOTES&lt;/span&gt;: BOOK TWO 493&lt;br /&gt;CHAPTER IX (493 500-1)&lt;br /&gt;CHAPTER XII (502-5) 502&lt;br /&gt;CHAPTER X111 (508-9) 508&lt;br /&gt;CHAPTER XVI (512-4) 512&lt;br /&gt;The River Road 512&lt;br /&gt;In Galicia 513&lt;br /&gt;The Unknown Church 513&lt;br /&gt;Whinny Moor 514&lt;br /&gt;Mountjoy 514&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;************************************************************************************&lt;br /&gt;KB-NUMMER: 1927-9-K-143 - 7001 280904 1&lt;br /&gt;M eu Spain 99502 king 22.5?&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;band 3: ± 710 pagina’s&lt;/span&gt; (totaal 710+1030=1740 pagina’s in 3 banden)&lt;br /&gt;************************************************************************************&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;iii-v CONTENTS&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK THREE: THE BOURNE &lt;span style="color: rgb(51, 51, 255);"&gt;band 3 &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;CHAPTER:&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/6260/1568/1600/455%20King%20SdC%20zijbeuk.jpg"&gt;&lt;img style="margin: 0px 0px 10px 10px; float: right;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/455%20King%20SdC%20zijbeuk.jpg" border="0" /&gt;&lt;/a&gt;I. &lt;em&gt;AÑO SANTO&lt;/em&gt; 3&lt;br /&gt;II. THE CHURCH OF THE APOSTLE 34&lt;br /&gt;III. DIEGO GELMÍREZ 88&lt;br /&gt;IV. COMPOSTELA 139&lt;br /&gt;The Church of a Dream 163&lt;br /&gt;As Pilgrims Pass 173&lt;br /&gt;Castle and Church 181&lt;br /&gt;&lt;em&gt;Los Muertos Mandan&lt;/em&gt; 196&lt;br /&gt;V. THE WORLD’S END 202&lt;br /&gt;VI. THE PARADISE OF SOULS 221&lt;br /&gt;The Long Way 245&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/6260/1568/1600/461KIN%7E1.0.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/461KIN%7E1.0.jpg" border="0" /&gt;&lt;/a&gt;The Singing Souls 253&lt;br /&gt;The Bridge of Dread 259&lt;br /&gt;VII. THE ASIAN GOD 278&lt;br /&gt;The Constant Worship 285&lt;br /&gt;The Star-led Wizards 314&lt;br /&gt;The Mortal Twin 334 [&lt;em&gt;He is the twin of Christ. - foto&lt;/em&gt;]&lt;br /&gt;The High God 347&lt;br /&gt;Along the Eastern Road 365&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK FOUR: HOMEWARD&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 3 &lt;/span&gt;&lt;br /&gt;I. SUMMING OP 373&lt;br /&gt;The Chantier 379&lt;br /&gt;Excursus on Some Twelfth Century Sculpture 386&lt;br /&gt;Workmen of S. James 396&lt;br /&gt;Sorting 407&lt;br /&gt;II. &lt;em&gt;MA CALEBASSE, C’EST MA COMPAGNE&lt;/em&gt; 417&lt;br /&gt;III. THE TWO ROADS 428&lt;br /&gt;Ronceveau 449&lt;br /&gt;Envoy 453&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NOTES&lt;/span&gt; 457&lt;br /&gt;APPENDIX 497&lt;br /&gt;Notes on S. James Major, S. Mary Virgin, and the Pillar at Saragossa 497&lt;br /&gt;Miracles of S. James (AA.SS) 508&lt;br /&gt;Miracles of Our Lady of Villa-Sirga 520&lt;br /&gt;The Great Hymn of S. James 530&lt;br /&gt;The Little Hymn of S. James 553&lt;br /&gt;&lt;em&gt;La Grande Chanson des Pèlerins de S. Jacques&lt;/em&gt; 536&lt;br /&gt;Thurkill’s Vision 543&lt;br /&gt;Apocalypse of S. Paul 553&lt;br /&gt;Frau Holde 558&lt;br /&gt;A Lyke-Wake Dirge 560&lt;br /&gt;&lt;em&gt;El Alma en Pena&lt;/em&gt; 563&lt;br /&gt;Gallegan Romance 566&lt;br /&gt;Purchas his Pilgrim 568&lt;br /&gt;Itinerairies 576&lt;br /&gt;&lt;br /&gt;BIBLIOGRAPHY 621&lt;br /&gt;INDEX 664&lt;br /&gt;&lt;br /&gt;vii ILLUSTRATIONS vii&lt;br /&gt;&lt;em&gt;SANTIAGO MATAMORES Frontispiece&lt;/em&gt;&lt;br /&gt;THE NORTH AISLE AND AMBULATORY, SANTIAGO&lt;br /&gt;CATHEDRAL 13&lt;br /&gt;THE FOUNTAIN AT SANTIAGO &lt;em&gt;Photogravure facing page&lt;/em&gt; 54&lt;br /&gt;BLUE HYGRANGEAS 77&lt;br /&gt;A BEGGAR BY THE &lt;em&gt;PUERTA SANCTA&lt;/em&gt; 109&lt;br /&gt;&lt;em&gt;PUERTA DE LAS PLATERÍAS&lt;/em&gt; 145&lt;br /&gt;THE GREAT STAIR AT LE PUY 205&lt;br /&gt;MASTER MATEO’S PORCH &lt;em&gt;Photogravure facing page&lt;/em&gt; 262&lt;br /&gt;CHRIST AS PILGRIM-FROM SILOS 305&lt;br /&gt;viii&lt;br /&gt;COINS 355&lt;br /&gt;PILGRIM’S CROSS AT MELLÍD 399&lt;br /&gt;FINISTERRE IN THE MIST 439&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK THREE&lt;/span&gt;&lt;/strong&gt; &lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;THE BOURNE&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 3 &lt;/span&gt;1&lt;br /&gt;I AÑO SANTO (3-33) 3&lt;br /&gt;II THE CHURCH OF THE APOSTEL (34-87) 34&lt;br /&gt;III DIEGO GELMÍREZ (88-138) 88&lt;br /&gt;IV COMPOSTELLA (139-173) 139&lt;br /&gt;As Pilgrims Pass (173-365) 173&lt;br /&gt;Castle and Church 181&lt;br /&gt;Los Muertos Mandan 196&lt;br /&gt;V THE WORLD’S END 202&lt;br /&gt;The Bridge of Dead 259&lt;br /&gt;VII THE ASIAN GOD 278&lt;br /&gt;The Constant Worship 285&lt;br /&gt;The Star-led Wizards. 314&lt;br /&gt;The Mortal Twins 334&lt;br /&gt;Along the Eastern Road. (173-333 366-370) 365&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;BOOK FOUR HOMEWARD&lt;/span&gt;&lt;/strong&gt; &lt;span style="color: rgb(51, 51, 255);"&gt;band 3&lt;/span&gt; 371 (371-710)&lt;br /&gt;I SUMMING UP 373&lt;br /&gt;The Portico of Visions 375&lt;br /&gt;The Chantier 379&lt;br /&gt;Excursus on Some Twelfth Century Sculptures 386&lt;br /&gt;Workmen of S. James 396&lt;br /&gt;Sorting 407&lt;br /&gt;II MA CALABASSE, C’EST MA COMPAGNE 417&lt;br /&gt;III THE TWO ROADS 428&lt;br /&gt;Ronceveaux. 449&lt;br /&gt;Envoy. (371-455) 453&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NOTES&lt;/span&gt; 457&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NOTES&lt;/span&gt;: BOOK THREE 457&lt;br /&gt;CHAPTER II 457&lt;br /&gt;CHAPTER III 462&lt;br /&gt;CHAPTER IV 463&lt;br /&gt;The Church of a Dream 465&lt;br /&gt;As Pilgrims Pass: 467&lt;br /&gt;Castle and Church 467&lt;br /&gt;CHAPTER V 468&lt;br /&gt;CHAPTER VI 469&lt;br /&gt;The Long Way: 472&lt;br /&gt;The Singing Songs: 472&lt;br /&gt;The Bridge of Dread: 473&lt;br /&gt;CHAPTER VII 475&lt;br /&gt;The Constant Worship: 477&lt;br /&gt;The Mortal Twins: 484&lt;br /&gt;The High God: 486&lt;br /&gt;Along the Eastern Road: (457-488) 487&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NOTES&lt;/span&gt;: BOOK FOUR&lt;br /&gt;CHAPTER 1 489&lt;br /&gt;The Portico of Visions 489&lt;br /&gt;The Chantier: 490&lt;br /&gt;Excursus on some Twelfth Century Sculpture 490&lt;br /&gt;Workmen of S. James 491&lt;br /&gt;Sorting 491&lt;br /&gt;CHAPTER II 492&lt;br /&gt;CHAPTER III 493&lt;br /&gt;&lt;br /&gt;APPENDIX 495&lt;br /&gt;APPENDIX 496&lt;br /&gt;I. &lt;span style="color: rgb(51, 51, 255);"&gt;Notes&lt;/span&gt; on S. James Major, S. Mary Virgin, and the Pillar, at Saragossa&lt;br /&gt;II. Miracles of S. James (AA.SS)&lt;br /&gt;III. Miracles of Our Lady of Villa-Sirga&lt;br /&gt;IV. The Great Hymn of S. James&lt;br /&gt;V. The Little Hymn of S. James&lt;br /&gt;VI. &lt;em&gt;La Grande Chanson des Pèlerins de S. Jacques&lt;/em&gt;&lt;br /&gt;VII. Thurkill’s Vision&lt;br /&gt;VIII. Apocalypse of S. Paul&lt;br /&gt;IX Frau Holde&lt;br /&gt;X. A Lyke-Wake Dirge&lt;br /&gt;XI. &lt;em&gt;El Alma en Pena&lt;/em&gt;&lt;br /&gt;XII. Gallegan Romance&lt;br /&gt;XIII. Purchas his Pilgrim&lt;br /&gt;XIV. Itinerairies&lt;br /&gt;&lt;br /&gt;I &lt;span style="color: rgb(51, 51, 255);"&gt;NOTES&lt;/span&gt; ON S. JAMES MAJOR, S. MARY VIRGIN, AND THE PILLAR, AT SARAGOSSA 497&lt;br /&gt;II THE MIRACLES OF S. JAMES 508&lt;br /&gt;III MIRACLES OF OUR LADY OF VILLASIRGA 520&lt;br /&gt;IV THE GREAT HYMNS OF S. JAMES 530&lt;br /&gt;V THE LITTLE HYMN OF S. JAMES 533&lt;br /&gt;VI &lt;em&gt;LA GRANDE CHANSON DES PÈLERINS DE S. JACQUES&lt;/em&gt; 536&lt;br /&gt;VII THURKILL’S VISION (Condensed) 543&lt;br /&gt;VIII FROM THE APOCALYPSE OF PAUL 553&lt;br /&gt;IX FRAU HOLDA 558&lt;br /&gt;X A LYKE-WAKE DIRGE 560&lt;br /&gt;XI &lt;em&gt;EL ALMA EN PENA&lt;/em&gt; 563&lt;br /&gt;XII GALLEGAN ROMANCE 566&lt;br /&gt;XIII PURCHAS HIS PILGRIM 568&lt;br /&gt;XIV ITINERARIES 576&lt;br /&gt;I. ITINERARY OF AYMERY PICAUD 576&lt;br /&gt;II. FROM DE CAUMONT: VOIATGE Á S. JACQUES EN COMPOSTELLE 580&lt;br /&gt;III. LE CHEMIN DE PARIS Á SAINCT-JACQUES EN GALICE DIT COMPOSTELLA; ET COMBIEN IL Y A DE LIEUES DE VILLE EN VILLE 586&lt;br /&gt;IV. REPORTORIO DE TODOS LOS CAMINOS DE ESPAÑA: 589&lt;br /&gt;V. NOVELLE GVIDE DES CHEMINS. 596&lt;br /&gt;VI. PILGRIM’S GUIDE. FROM &lt;em&gt;CHANSONS DES PÈLERINS DE S. JACQUES&lt;/em&gt;. 605&lt;br /&gt;VII. ITINERARIO ESPAÑOL, O GUIA DE CAMPINOS 610&lt;br /&gt;&lt;br /&gt;BIBLIOGRAPHY 619&lt;br /&gt;INDEX 663&lt;br /&gt;(371-710)&lt;br /&gt;&lt;br /&gt;* De tussen (.) aangeduide pagina's zijn in kopie aanwezig.&lt;br /&gt;&lt;br /&gt;---------&lt;br /&gt;&lt;br /&gt;[citaat uit &lt;span style="color: rgb(255, 0, 0);"&gt;&lt;em&gt;The Way of Saint James&lt;/em&gt;&lt;/span&gt; van Georgiana Goddard King:]&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;FOREWORD&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;During my stay in Rome of two years and a half, I employed all the spare time I had from Books and Libraries in viewing the Monuments; and I at last prescribed to myself a certain Method in making my Observations so as to go through the whole City in twenty Days. This same I repeated as often as either at the Request of my Friends or for my own Satisfaction I surveyed the city, always allotting twenty Days to review the whole. -- Père Montfaucon.&lt;br /&gt;&lt;br /&gt;FOLLOWING the precedent of the learned Benedictine, I have made one straight story out of three years' wanderings, and places visited and revisited. The outcome offers, first, a record of what exists, where other accounts are incomplete or inaccessible, and, secondly, an explanation of it. Spain is a long way off, and pictures are not always explicit. It has taken seven years of my life. The writer's contribution, in particular, is first, a record and inter&lt;a href="http://4.bp.blogspot.com/_ipijmPJzOQ4/R5eLjN_itLI/AAAAAAAAAeM/6la4OUp-HOs/s1600-h/King+Street+tekening+Portico.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5158745335344051378" style="margin: 0px 0px 10px 10px; float: right;" alt="" src="http://4.bp.blogspot.com/_ipijmPJzOQ4/R5eLjN_itLI/AAAAAAAAAeM/6la4OUp-HOs/s320/King+Street+tekening+Portico.jpg" border="0" /&gt;&lt;/a&gt;pretation of iconographic detail all along the way, e. g., at Leyre from observation, at Santiago from Aymery Picaud's account; second, an attempt to date, by comparison with such dated examples as exist, without any à priori; third and last, an occasional small hypothesis and the ground for it, e. g., about the original west front at Compostella, and the cult of Santiago. The general intention is stated at length in the first chapter; briefly, it was to discover and record the evidence of Spain's debt in architecture to other countries, France in especial, during the Middle Age. By contrast with the French style which came in along the Camino francés, it was necessary to define the Spanish styles which that supplanted or modified, and was swallowed up in at last: this must justify the consideration given twice or thrice to earlier churches on sites now occupied, especially to the earlier sanctuaries of the Apostle. At Leon Sr. Lampérez had already made such a study. The intention being to supplement his work and Street's great book, not to compete with them, repetition of what Street had published is avoided and, in consequence, only a single aspect of each of the great cathedrals can figure here. To deal adequately with any one, would want a book at least as large as this. &lt;span style="font-size:78%;"&gt;[Drawing from Street’s book; see &lt;/span&gt;&lt;a href="http://king-early-days.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://king-early-days.blogspot.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; &amp;amp; &lt;/span&gt;&lt;a href="http://king-renaissance.blogspot.com/"&gt;&lt;span style="color: rgb(0, 0, 153);font-size:78%;" &gt;&lt;strong&gt;http://king-renaissance.blogspot.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; –gb]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;For those who desire to &lt;span style="color: rgb(255, 0, 0);"&gt;secure facts while avoiding the context&lt;/span&gt;, a very careful Index is supplied. This makes it possible for the learned to look up a church unmolested by the dust of the highway, and even the learned may care to look into the pages for some of the churches which are, so far as may be ascertained, hitherto unpublished: of these are Torres, Barbadelo, Puerto Marin. The writer has looked into a good many old books and not a few remote and distinguished periodicals. The excursus into what may seem the field of comparative literature, indispensable to the argument, was long, laborious, and scrupulously at first hand. The religions of the Roman Empire were investigated in competent and first-rate authorities, which are enumerated in the bibliography. Cursor Mundi is cited so often, though an English work, because it is precisely what it calls itself, a Pilgrim of the World, that has gathered up an immense quantity of current and floating lore, and represents just what might be in the head of any stonecutter or master of the works. It is a popular and plebian substitute for Vincent and Honorius. The Bibliography represents not the books consulted but those which yielded matter of worth, -- a very small proportion. In the Appendix are printed a few pièces juslificatifs: quotations in verse or others too long for a footnote; the Grande Chanson des Pèlerins, the Great and the Little Hymn of S. James and his Miracles out of the Acta Sanctorum, the Miracles of our Lady of Villa-Sirga out of the Cantigas del Rey Sabio, Thurkill's Vision, and a selection of Itineraries for the curious stay-at-home.&lt;br /&gt;&lt;br /&gt;Possibly it will be said that this little book is neither one thing nor the other, for it offers &lt;span style="color: rgb(255, 0, 0);"&gt;archaeology without jargon, and travel without flippancy&lt;/span&gt;. The writer's hope is that the learning, however small, may be judged sound, and the style not unworthy of it in being the ordinary vehicle, which is the daily speech of cultivated people: and that some worth and some pleasure may consist in the &lt;span style="color: rgb(255, 0, 0);"&gt;exact account of what was done&lt;/span&gt; and seen with the sense and in the light of a whole history and literature yet palpable and precious, though less familiar to the gentle reader than the immortal ambience of the Lombard plain and the hill-towns of Tuscany. To pay the gratitude I owe to all who have helped me would take too long a list: it would begin with the great S. James himself, with the good Companion of many days, with a great and generous lover of Spain; and end with the long suffering guardians of books in many libraries, the good-tempered boys and girls who fetched and carried dusty piles, and the outraged librarians who despatched too many tiresome loans by post. Some names however may not be omitted, nor may I leave unsaid my thanks, for untiring and learned assistance, to the Reverend Father Middleton of Villanova College, who has answered questions intricate and importunate; to Dr. Wright and Dr. Patch of Bryn Mawr College, who have read a number of chapters in manuscript, and bettered them, and Dr. Frank and Dr. Barton who have answered demands sudden and surprising; to D. Juan Agapito y Revilla, the Vallasoletan architect and ecclesiologist, for precious time spared to me and the gift of publications, some otherwise unattainable; to my friend D. Angel del Castillo of Corunna for other articles and specific advice and instruction simply invaluable; to D. Benito Fernández Alonso, of the Commission of Historic Monuments in Orense, for many courtesies and gifts; also to Mgr. Ragonesi, the Apostolic Nuncio in Spain; to the Archbishops of Santiago and Burgos and the Bishop of Leon; to the Dean and Chapter ef Santiago and the Abbess of Las Huelgas; to the Canónigo Fabriquero of Mondoñedo and the Canónigo Archivero of Santiago, and D. Felix Ararás, Canónigo Magistral of Burgos: and to twoscore parish priests who without a single exception offered me of their best, &lt;span style="color: rgb(255, 0, 0);"&gt;from erudition down to new milk&lt;/span&gt;, to the glory, in the grand phrase of one of them -- to the glory of religion and of Spain.&lt;br /&gt;G. King. BRYN MAWR, All Souls' Day, 1917.&lt;br /&gt;&lt;br /&gt;The illustrations are taken in part from old books and museum pieces, in part from coins, and I have to thank G. F. Hill, of the British Museum, for a generous gift of casts from some coins in that collection; in part also from photographs of my own, and others, better, of E. H. Lowber. For drawings of difficult matter I am greatly indebted to Miss Helen Fernald, Instructor in the History of Art at Bryn Mawr College.&lt;br /&gt;&lt;br /&gt;To the Curator of Publications at the Hispanic Society, Miss Isabel K. Macdermott, the reader owes as much as the writer, for her long patience and vigilant oversight during the publication. For the use in Spanish words, names, and titles, she and I are responsible, jointly, but it seems desirable that I should explain the principles to which we conformed; Spanish names of persons and places, and titles of modern books, are spelled and accented in accordance with the latest rulings of the Spanish Academy; the titles of old books are given as the author gave them. But it is a proud truth that the relations between those of English and those of Spanish speech were not established yesterday, nor even during the Peninsular War, but are a part of the ancient heritage of the two nations, and the sign thereof is that &lt;span style="color: rgb(255, 0, 0);"&gt;Spanish places have English names&lt;/span&gt;. We speak of Seville and Corunna, Pampeluna and Saragossa, Castile and Leon, by the same token that Shakespeare wrote of Katharine of Aragon, and Southey of the Infants of Carrion rhyming to Robin Hood's Marion. Those names I have used as we say Venice, Rome, and Florence, Paris, Lyons and Marseilles. They are each a token and a pledge that insularity is merely geographical and not intellectual, that isolation on the other side of the world cannot cut off Americans from talking in free and homely speech of the great places to which they turn with ancestral love and longing. In referring to Kings and Queens of the Spains, and other saints or heroes, I have not been careful always to call them by the same name, but as Jack and Jill may be addressed as John and Joan at times, I have taken the liberties that old acquaintance allowed. To call Isabel the Catholic Elizabeth, or the English Tudor the Isabellan style (though others have done it), I should hold for presumption, but Ferdinand and Alfonso may alternate methinks with Fernando and Alonso when the chronicler or the hagiographer prompts, and S. James is still recognizable as Santiago. &lt;span style="color: rgb(255, 0, 0);"&gt;This is not meticulous nor pedantic, but it is comfortable and easy, which is a great good in travel.&lt;/span&gt; &lt;span style="color: rgb(255, 0, 0);font-size:78%;" &gt;[red highlighting by gb] &lt;/span&gt;&lt;br /&gt;G. G. K. &lt;span style="color: rgb(255, 0, 0);font-size:78%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;BOOK ONE: THE PILGRIMAGE&lt;br /&gt;INTENTIONS&lt;br /&gt;TURPIN’S CHRONICLE&lt;br /&gt;THE BOOK OF S. JAMES&lt;br /&gt;THE STATIONS OF THE WAY&lt;br /&gt;ROMEROS EN ROMERÍA&lt;br /&gt;BOOK TWO: THE WAY&lt;br /&gt;SETTING OUT&lt;br /&gt;HEART OF ARAGON&lt;br /&gt;Jaea: The Cathedral&lt;br /&gt;S. Juan de la Pefia&lt;br /&gt;Alfonso el Batallador&lt;br /&gt;THE BATHS OF TIERMAS&lt;br /&gt;Leyre&lt;br /&gt;Sangüesa&lt;br /&gt;PAMPELUNA&lt;br /&gt;SAINT SEPULCHRE&lt;br /&gt;Puente la Reyna&lt;br /&gt;El Sepulcro&lt;br /&gt;TOWN CHURCHES&lt;br /&gt;Irache&lt;br /&gt;THE LOGROIRO ROAD&lt;br /&gt;The Spires of Logroño&lt;br /&gt;Along the Battlefield&lt;br /&gt;S. Mary the Royal&lt;br /&gt;TWO ROAD-MENDERS&lt;br /&gt;Sieur des Orties&lt;br /&gt;NOTES&lt;br /&gt;&lt;br /&gt;Doel van al deze King-besprekingen is ooit een betaalbare vertaalde dundruk, opdat iedere pelgrim onderweg beter leert kijken naar wat hij ziet. Inmiddels is er een &lt;span style="color: rgb(255, 0, 0);"&gt;complete herdruk&lt;/span&gt; van alle drie Volumes als pocketbook; zie &lt;a href="http://pilgrimsplaza.blogspot.com/"&gt;&lt;strong&gt;&lt;span style="font-size:78%;"&gt;http://pilgrimsplaza.blogspot.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;********************************************************&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/6260/1568/1600/KLEINB%7E1.23.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" alt="" src="http://photos1.blogger.com/blogger/6260/1568/200/KLEINB%7E1.23.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;Alle &lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;&lt;span style="font-family:times new roman;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;©&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; rechten voorbehouden!&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;Home website PILGRIMSPLAZA:   &lt;a href="http://www.pelgrimspaden.nl/"&gt;www.pelgrimspaden.nl&lt;/a&gt;                       &lt;br /&gt;Home phpBB-forum: &lt;a href="http://pelgrimspaden.blogspots/"&gt;http://pelgrimspaden.blogspot.com &lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20349865-113596992776285026?l=pilgrimsplaza-king-index.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pilgrimsplaza-king-index.blogspot.com/feeds/113596992776285026/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20349865&amp;postID=113596992776285026' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20349865/posts/default/113596992776285026'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20349865/posts/default/113596992776285026'/><link rel='alternate' type='text/html' href='http://pilgrimsplaza-king-index.blogspot.com/2005/12/p-i-l-g-r-i-m-s-p-l-z-voor-het.html' title='P I L G R I M S P L A Z A voor het fascinerende The Way of Saint James van Georgiana King'/><author><name>pelgrim Geert</name><uri>http://www.blogger.com/profile/11858320793403286238</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://photos1.blogger.com/blogger/6260/1568/1600/GB%20receptie3.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ipijmPJzOQ4/ShbzDhlQALI/AAAAAAAAA9s/HzCUOiMUtIA/s72-c/face+Christ+in+Majesty+Portico+London+138-1.jpg' height='72' width='72'/><thr:total>1</thr:total></entry></feed>
